About “Oh what a lovely war” the play by joan littlewood Essay

This classic melt down devised by Joan Littlewood and the Theatre Workshop takes a humorous and light-hearted walk finished the history of World War One. The deed brims with anecdotes, jokes, songs and dance, but we are never in allowed to forget that the Great War was no joke, and are presented with a thought-provoking insight into the futility of contend. It was written in the period of the swinging 60s, a time of rebellion from the youth against the conformities of their seniors. Especially when it came to the futility of war the Vietnam War was on topic opinion. Unbeknown to popular belief this is not the reason Littlewood wrote her play. The production came to life through the combined efforts of director and actors in Joan Littlewoods Theatre Workshop in 1963. They had been provoked by a BBC program with songs from WW ITerrible Sentimental. All that feeling and no imagination. virtuous nostalgia. They couldnt sing like that stuck in a trench hold for the next bomb to blow their heads off. These were the words of Littlewood and her actors.World War 1 was responsible for the deaths of 10 million people, the equivalent of a twin predominate disaster every day for 4 years. From the play you receive a sense of near blind patriotism and hope which is exemplified through the songs such as good byee-ee. These moments contrasts from the heightened physicality like the drill serjeant-at-law. The drill sergeant character dimensions were he was a tall man, of the upper classes. His character dimensions differed from the soldiers he was trying to instruct. They were poor, low class and incompetent. Oh what a lovely war provides all the Elements of Drama. Six major elements of drama according to Aristotle plot, character, theme, dialogue, music, spectacle. MC part, he tells a joke have you heard the one about The great Von and his 3 daughters The MC controls all the action in the play. This is very similar to the sixpenny opera written by Bertolt Brecht and Kurt Weills. Both plays show their meaning through songs, like I dont want to be a soldier and The Ballard of sexual imperative. A contrasting play would the naturalistic play of thechildren.Other than character dimensions I have learnt Emotional Perception. The detection and neckband of emotional states, feelings and reactions both in oneself and others. Emotional Recall and Expression. Emotional perceptions enkindle from past experiences which can be used in understanding, portraying, and reflecting on the gentlemans gentleman condition and human behaviour. Guided Dramatic Play. Imaginative play bear upon by a trained leader. Nonverbal Communication. Communication without words employ facial expression, gestures, and body language. Playing Space and Audience Space. An realm for spectacular activities. A cleared space in a classroom without a designated place for observation by an audience. Theatrical production clearly establishes an performing area, or stage, and a des ignated audience area proscenium (one side), thrust (three sides), area (four sides).