Macbeth and Tragic Hero

Macbeth, a tragedy written by William Shakespeare in the 17th century, expresses clearly the industrial-strength pull that desire for spring can devote over a patch. Macbeth, the title char worker of the play, is often expressed as being the gravelydie of the tragedy. However, through studying the play closely it is clear to see that, kind of than being an innately evil char per boder, Macbeth is in fact a tragical crampfish, doomed by fate from the start to descend into the madness which he did. Had it not been for his hamartia and his interaction with the witches and his wife then the play would slang had a very different ending.Like every tragic hero in literature Macbeth suffered from a tragic defect, or a hamartia. In his case, his flaw was his vaulting ambition, combined with a lust for power. Macbeth himself recognises this ambition in act I, characterization 7 where he states in a soliloquy I have no spur to prick the sides of my intent exclusively plainly vaul ting ambition. This comment suggests that he knows that the and thing that prompts his actions is his ambition. go ambition al whizz is not in fact a bad trait, when added with a lust for power, this ambition can become dangerous. Did having these qualities mean that Macbeth was indisputably overturn?No, they simply meant that he, like all human beings, had a flaw and a weakness. Indeed, at the start of the play, Macbeth was seen as the hero, being described as hold up Macbeth in act I, scene II, and shown as a loyal and brave solider on the battle field. He is also frequently referred to as doughty by Duncan throughout the first act. That ambition always resided within him but did not cause a problem until the soothsaying was made by the witches in act I. It was essentially the moment that the witches first cast the forecasting over Macbeth that sealed his fate forever.Without the witches foretelling his rise to power as Thane of Cawdor and furthermore as the future king of Scotland, the imagination would never have occurred to him. He was initially a modest character, grateful of his position in life. However, at one time the witches set the seeds in Macbeths mind they started to flourish and, given his hamartia, the idea wholly consumed him. Though initially he did not believe what they said, once he was granted the title Thane of Cawdor, he started to consider that it could possibly be true. There is a noticeable ifference in his attitude toward the prophecy earlier and after he is made Thane of Cawdor. Before, there is a clear indecision in his approach, though its obvious that he hopes for it to be true. Where as afterwards Macbeth is starting to view his promotion to King as not just a possibility, but rather an inevitable truth. His desire for this power arose and his ambition started to take control. It was this moment that started his transformation from hero, to tragic hero. However, the alteration was a slow one and throughout the trag edy the Witches continued to contribute to Macbeths suppuration insanity.Their prophecies begun to dictate his every move. This reliance on the witches is seen in the final scenes of the play, where Macbeth shows more and more reckless behaviour in the battle scene due to the witches prophecy that none of women born would harm Macbeth (act IV, scene I). He became enraptured by a longing for power, a desire that would not have consumed him so, had it not been for his interaction with the witches. For if the Witches had not come along, than it is certain that Macbeth would not have move victim to the clutches of madness like he did.However, it was not only the Witches who contributed to his mighty fall. For it was not until he wrote to his wife that the ambition fully started to form. If it was the Witches who planted the seeds, then it was Lady Macbeth who helped them to grow. In many ways, Lady Macbeth can be described as the driving force behind the score of Duncan and hence a lso Macbeths transformation. It was initially Lady Macbeth who created the idea for the murder of the King. Whiles Macbeth had previously considered it, he had never come to a conclusion and had simply left(a) things to see how they turned out.Lady Macbeth was the one who voiced the idea and who pushed it. In act I, scene 7 Macbeth had decided that he would not go through with the act, however he was convinced otherwise by his wife, who questioned his manhood through quotes such as When you durst do it, then you were a man And, to be more then what you were, you would be so much more the man (act I, seven 7). She worked on Macbeths ambition and filled his mind with ideas of power. feature with his tragic flaw, it was almost impossible for Macbeth to resist that temptation. It was ultimately Lady Macbeth who spurred him to murder Duncan.Macbeth was not a typical villain, for whiles he did kill people he felt guilt and remorse for his acts. In the scene following the husking of D ucans murdered body (act II), Macbeth showed great difficulty in hiding his remorse. This contrasted with his wife, who could considerably hide the truth and forge innocence. He was also aware of the consequences that could rescind from his actions, as seen in the if it were when tis done soliloquy in act I, scene 7. Most other villains created by Shakespeare did not suffer from this same form of guilt as Macbeth, guilt that eventually drove him crazy.This emotion is shown in the scene where Macbeth sees an apparition of Banqo at the banquet. This apparition was a reflection of his remorse for the crime he had committed and his fear of being caught. This guilt and noesis of the consequences of his actions is one of the main things that separates Macbeth from a typical villain and helps make him a tragic hero. Macbeth was not an irrevocably evil character, but rather one who had flaws which he caved into. In the end, it was his hamartia and his interactions with the witches and hi s wife that shaped him into the tragic hero that he became.